When I look around our home I see red, everywhere. It is a favourite colour when it comes to decorating. Red Vintage cases, throws, cushions, table runners, flowers, French enamelware….this list is endless. I love red lipstick and jackets and shoes.
So it was no surprise that when we saw these red shoes at the very talented Honor Bradbeer’s exhibition a few years ago, I was taken. I really like the way she uses ink to create and disguise; to bring objects to life and make others hide, masked by the depth of colour.
We are having our home painted right now and it is a process of rebirthing a Victorian dame that has been lost underneath years of grime and bad decoration. We have chosen Aalto Endless for the exterior and the door will be Dulux Red Box. You see as I welcome you to my home I want you to see Red too….
I have been having this debate with myself for sometime now. To buy real or replica? A recent article in Est magazine set me off on this discussion topic again. Earlier this year we moved bedrooms – yes my man and I took over the old guest room and sitting room and left the master bedroom and all 5 children upstairs. Maybe it was an act of faith that we might carve out time and space for ourselves. But every night we hear the pitter patter of small people coming to visit overnight. Anyway, this move prompted plush new carpet, a paint-over and the purchase of a replica Anna Castelli Componbili 3 Shelve unit. Initially, I had thought they would be great bedside tables – think stacks of books, clock, water, lamp and other kids paraphernalia. But alas it has been used in the bathroom as a hold all. Perfect.
But is it okay to buy replica? Are we doing the original designer a disservice? I was reminded of Megan Morton’s piece in her book Home Love – which I enjoyed reading cover to cover by the way. She argues against the replica. This article in Est does outline the obvious differences, which do seem obvious once you know what the real deal is like. Maybe we can never get away with the replica, fake version….ever. On a bigger budget I would buy real, but today I will settle for replica knowing that the world can tell I am faking it.
I know you have probably been reading this already. But today I discovered a gorgeous newish online magazine that is full of inspiration for house and home, body and soul. Est magazine which I found on a great little blog I follow- Bodie and Fou. According to Est this is what they are about:
Est offers its time poor & inspiration starved readers a new age glossy digital magazine.
Est is all about inspiration, giving readers a contemporary interactive resource and providing a platform to showcase the very best in the world of design.
Est is relaxed and stylish, is not self conscious and does not take itself too seriously.
Est loves the sun but appreciates the seasons.
Est loves looking to the past but also likes shiny and new – this is what gives Est an Australian twist.
I love the fact that it has an Australian twist. It features one of my favourite Australian chefs and food writers and some stunning chairs. Have I told you I love chairs? So much more to write about over the next few days. Don’t let me forget.
So this is a confession of some recent trashy television viewing. Big Love-The final season. There are many things that appeal in this crazy HBO drama. It is not all fabulous acting or narrative, but a strange insight into polygamy and Mormon life. There are glimpses of Christian speak and doctrine interwoven with nasty rows between sister wives, jealousies and bitterness; dozens of children to take care of and food to be prepared. Much of the early series made marriage seem real. All the same issues were there, whether you are sharing your man or not. But the question is what does a ‘real marriage’ look like?
In a day where we see the media dominated by same sex marriage debates it is not surprising that HBO has allowed Big Love to drive a ‘political’agenda to have polygamy embedded in the average American psyche – maybe to one day make it real and seem normal. Marriage is such a gift, the relationship timeless and sacred. Tim and Kathy Keller’s book, The Meaning of Marriage is reviewed here. It looks like it might help us think about marriage and the love between husband and wife in a helpful way.
But there is really only one Big Love. HBO’s version is not it.
Do you know real freedom today? To be the person you were called to be, using the gifts and talents that you have been given? To be you today and not the girl from yesterday, or the guy from last decade? To have the old ways erased and the fumbling mistakes forgotten?When we have a real encounter with our Creator there is the promise of freedom, of making everything new, the knowledge of grace, mercy, love and hope.
2 Corinthians 5:17 The Message ….. says:
Now we look inside, and what we see is that anyone united with the Messiah gets a fresh start, is created new. The old life is gone; a new life burgeons! Look at it! All this comes from the God who settled the relationship between us and him, and then called us to settle our relationships with each other. God put the world square with himself through the Messiah, giving the world a fresh start by offering forgiveness of sins. God has given us the task of telling everyone what he is doing. We’re Christ’s representatives. God uses us to persuade men and women to drop their differences and enter into God’s work of making things right between them. We’re speaking for Christ himself now: Become friends with God; he’s already a friend with you.
Art: Melbourne CBD Laneways
I follow the talented fabric artist Rita at Red Pepper Quilts and I really like her contemporary and fresh look. But these placemats are really cool and look easy peasy. Maybe you will see my version here soon. There are so many fabulous fabric combinations. What a great Christmas idea!
Red Scissors – My work is influenced by the quality and design of the material I am using – how it feels and how it layers with other pieces. I use a range of new and vintage fabrics, including, cotton, wool, linen, cashmere, silk and synthetics. I like to retain the shape of an original garment when up cycling it into a quilt or wrap and at times the raw, selvedges will be seen. No two pieces are the same. In the Red Scissors project, I have drawn on the Indigenous and Asian influence in the patterns and prints of Jasmine Mansbridge’s work. Here you see several images of the work in the exhibition and the quilt in the early stages of coming together.